The definition of a ‘courtesan’ is a woman prostitute, especially one whose clients are
members of a royal court or men of high social standing.
Synonyms are concubine, doxy, paramour, kept woman,
mistress, fancy woman, and,
of course, Shebug.
An example of an 18th
century Shebug is Kitty Fisher. She morphed from milliner to ‘classy’
prostitute. Kitty she took pride
in her work and did it well, down to handling her own marketing.
She turned an
embarrassing moment in St James’ Park that left little to the imagination into
the publicity stunt of the century. Kitty’s fall from her horse made every
headline and was featured in satirical prints. Songs were even written about
the event!
In publishing
pamphlets entitled ‘Kitty F—r’s Merry
Thoughts’, Ms Fisher not only advertised her charms, but also her ability for
clever conversation.
Ms Fisher was reported
to have eaten a thousand pound note on her buttered bread such was her
voracious appetite for all things luxurious.
Though dead for centuries,
this Shebug refuses to vanish. The nursery rhyme, Lucy’s Locket reads as
follows:
Lucy Locket lost her pocket,
Kitty Fisher found it;
Not a penny was there in it,
Only a ribbon ‘round it.
Great portraitists,
like Sir Joshua Reynolds (first president of the Royal Academy) and Nathaniel Hone,
immortalized her on canvas.
I came across this Shebug
depicted by a contemporary artist, Mark Hampson, last week at the Royal
Academy. The exhibition is called ‘Almost Real Art: A Satirical Archaeology of
the RA Collections and Library’.
Here, the muse is
featured repeatedly alongside the four roundels painted by the most
distinguished Angelica Kauffman, one of the two female founding members of the
RA. The banner painted at
the top reads ‘Kitty Fisher’s All Ladies Academy For Female Arts’.
It goes to show how the
power of good PR can be timeless!
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